Acsii wrote:lol you missed the whole sarcasm of all that haha
[sadly fweets a party whistle]
Acsii wrote:lol you missed the whole sarcasm of all that haha
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
topitmunkeydog wrote:hey what do u cats thing of this thing i made?? its the first piece ive made that i actually sort of like but at the same time i neither know what to think nor where it is going.
https://soundcloud.com/topitmunkeydog/wip



Bronies Are Cool wrote:topitmunkeydog wrote:hey what do u cats thing of this thing i made?? its the first piece ive made that i actually sort of like but at the same time i neither know what to think nor where it is going.
https://soundcloud.com/topitmunkeydog/wip
Not sure how I feel about the drums.
I listened to it on my phone, but it felt like it needs to be mixed. The parts where you had the snare (or clap) sample being hit a bunch of time in succession was pretty loud and over bearing when ever it happens.
I liked the piano melodies the most.
topitmunkeydog wrote:Bronies Are Cool wrote:topitmunkeydog wrote:hey what do u cats thing of this thing i made?? its the first piece ive made that i actually sort of like but at the same time i neither know what to think nor where it is going.
https://soundcloud.com/topitmunkeydog/wip
Not sure how I feel about the drums.
I listened to it on my phone, but it felt like it needs to be mixed. The parts where you had the snare (or clap) sample being hit a bunch of time in succession was pretty loud and over bearing when ever it happens.
I liked the piano melodies the most.
thank you for the feedback! yeah it sounds fine on my speakers, but on anything else it sounds so bad like im not having a fun time with mixing (mostly because idk how to do it)
also did you just have a problem with how loud the drums are, or do you recommend changing the pattern to? (a lot of the things were mistakes with the beat repeat that I didnt bother fixing lol)
also thanks!! instead of using ableton's piano setting which i HATEEEEEE i just recorded my real piano and sampled it bc im jazzy like that



Bronies Are Cool wrote:Personally, I would change the pattern, but that's because I have a kind of different style of music.
Maybe try a house style of music? With a 4by4 drum pattern and see what kinds of variations you can make with that? Idk
Just mess around with the drums. Typically, a good drum pattern is one that is so good, it's kind of overlooked in the song. In most cases, the drums are not the focus of the song, so try to make the drums less of the focus and more of a tool to help progress the song and carry it along.
When it comes to mixing, your likely going to wanna use limiters.
Put a limiter on literally every instrument/sample. And then also an equalizer on everything too. Cut frequencies that overlap a lot. (Highs should be in the high region, not in the bass region. Let the bass do its thing.)
Not sure what you're using, but if its fly studio, I can definitely help out more than with another program.
I could throw together a tutorial on how to mix "for beginners"
Not that im fantastic at it myself, but I can at least give you a bit of help to improve on it.
When it comes to mixing, your likely going to wanna use limiters.
Put a limiter on literally every instrument/sample. And then also an equalizer on everything too. Cut frequencies that overlap a lot. (Highs should be in the high region, not in the bass region. Let the bass do its thing.)
LFP wrote:When it comes to mixing, your likely going to wanna use limiters.
Put a limiter on literally every instrument/sample. And then also an equalizer on everything too. Cut frequencies that overlap a lot. (Highs should be in the high region, not in the bass region. Let the bass do its thing.)
You definitely do not want to use a limiter for everything, lower the volume and use a compressor instead, and you don't even want to use that for everything.
Personally I really only ever use a limiter on my master and I often make do without it ^^



Bronies Are Cool wrote:LFP wrote:When it comes to mixing, your likely going to wanna use limiters.
Put a limiter on literally every instrument/sample. And then also an equalizer on everything too. Cut frequencies that overlap a lot. (Highs should be in the high region, not in the bass region. Let the bass do its thing.)
You definitely do not want to use a limiter for everything, lower the volume and use a compressor instead, and you don't even want to use that for everything.
Personally I really only ever use a limiter on my master and I often make do without it ^^
Oh God yes.
Compressor.
I was thinking of compressors wham I typed that, but I said limiter for some reason.
Sorry for that mislead.
I used to use limiters exclusively until I found out how much I liked compressors better and how much better they actually are.
Emphasis on using COMPRESSORS!!!!!!!11!1!!
So, I'm thinking of changing my artist name to:
Lucid Memories
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.






Bronies Are Cool wrote:Speaking of compression: anyone know of any good tutorials or videos talks about compression and mixing in action? Most videos I have seen are done by n00bZ and generally aren't super helpful beyond getting that first step into the concept.
Mr. Bigglesworth wrote:Pro audio files on YouTube are pretty good in my experience. They always demo on commercial jobs they're doing and they're reasonably easy to follow
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Acsii wrote:Bronies Are Cool wrote:Speaking of compression: anyone know of any good tutorials or videos talks about compression and mixing in action? Most videos I have seen are done by n00bZ and generally aren't super helpful beyond getting that first step into the concept.
I'll let you know my approach, Slow attack, Fast Release, set threshold, Set Ratio, I generally do 4:1 on vox because I'm so used to use an 1176 but, once I have the ratio set I'll then adjust the Attack and Release until I like the sound of it's effect, then I'll adjust the makeup gain, from there I'll turn it on and off multiple times at multiple points of the song to make sure I like the sound of it. Also I mostly do EQ before comping, just because EQ can make some harmonic frequency stand out and comps can bring them under control a bit.Mr. Bigglesworth wrote:Pro audio files on YouTube are pretty good in my experience. They always demo on commercial jobs they're doing and they're reasonably easy to follow
+1 for Pro Audio Files.



Ricky Denzel wrote:Acsii wrote:Bronies Are Cool wrote:Speaking of compression: anyone know of any good tutorials or videos talks about compression and mixing in action? Most videos I have seen are done by n00bZ and generally aren't super helpful beyond getting that first step into the concept.
I'll let you know my approach, Slow attack, Fast Release, set threshold, Set Ratio, I generally do 4:1 on vox because I'm so used to use an 1176 but, once I have the ratio set I'll then adjust the Attack and Release until I like the sound of it's effect, then I'll adjust the makeup gain, from there I'll turn it on and off multiple times at multiple points of the song to make sure I like the sound of it. Also I mostly do EQ before comping, just because EQ can make some harmonic frequency stand out and comps can bring them under control a bit.Mr. Bigglesworth wrote:Pro audio files on YouTube are pretty good in my experience. They always demo on commercial jobs they're doing and they're reasonably easy to follow
+1 for Pro Audio Files.
And now I regret coming back. See you in 6 more months
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Ricky Denzel wrote:Acsii wrote:Bronies Are Cool wrote:Speaking of compression: anyone know of any good tutorials or videos talks about compression and mixing in action? Most videos I have seen are done by n00bZ and generally aren't super helpful beyond getting that first step into the concept.
I'll let you know my approach, Slow attack, Fast Release, set threshold, Set Ratio, I generally do 4:1 on vox because I'm so used to use an 1176 but, once I have the ratio set I'll then adjust the Attack and Release until I like the sound of it's effect, then I'll adjust the makeup gain, from there I'll turn it on and off multiple times at multiple points of the song to make sure I like the sound of it. Also I mostly do EQ before comping, just because EQ can make some harmonic frequency stand out and comps can bring them under control a bit.Mr. Bigglesworth wrote:Pro audio files on YouTube are pretty good in my experience. They always demo on commercial jobs they're doing and they're reasonably easy to follow
+1 for Pro Audio Files.
And now I regret coming back. See you in 6 more months






Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Jokeblue wrote:Guess who's still aliiiiiiiiiive
It's me. Yay hi I guess. Ok bye.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.



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