by Pulse Wave » 24 Dec 2014 15:35
Well, a select few of us musical bronies have. It's those of us who are easily annoyed by the misuse of enharmonic equivalents (which didn't even exist before the invention of the well-tempered tuning). No offense, but that's the way it is.
There are actually only twelve major keys (unless you go crazy with sharps and flats just because you think you can):
F♯/G♭ — D♭ — A♭ — E♭ — B♭ — F — C — G — D — A — E — B — (back to F♯)
As they're always one fifth above the previous, and as they go around in a circle, they make up the so-called circle of fifths.
The twelve corresponding minor keys are:
d♯/e♭ — b♭ — f — c — g — d — a — e — b — f♯ — c♯ — g♯ — (back to d♯)
Also, there are never sharps and flats within the same scale. Ever. No exception.
The A♭ scale is: A♭ — B♭ — C — D♭ — E♭ — F — G — A♭.
A G♯ scale would be G♯ — A♯ — B♯ — C♯ — D♯ — E♯ — F♯♯ — G♯. A purely theoretical scale with eight sharps whose actually existing enharmonic equivalent only has four flats.
So everything you believe is G♯ is actually A♭.
(Come to think of it, none of my bandmates ever uses flats. For them, everything is a sharp. And they've probably all been making music for even longer than me, and one of them is a piano player who should know better. Guess that's a common misconception by guitar and bass players.)
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