Dabrenn wrote:Thanks for the advice!
One more question if you care to answer; why do you DJ with Ableton? I don't really understand the draw of DJing with Ableton. With an event DJ-for-hire business model, it seems like Ableton would bring up some problems that more traditional DJ programs don't really have. If could create my sets straight through beforehand and maybe incorporate my own music, then I'd see the use of Ableton. Is this what you do?
Of course, I know almost nothing about DJ'ing with live.
Well, in the past I used Virtual DJ with the Hercules RMX controller and have spent a lot of time on my friends CDJ's with the serato timecode. I have done all that 'more traditional' djing stuff and it was certainly fun, I never truly mastered it but I did get good, good enough to play very consistently live.
I switched to Ableton as I am now starting to play my own music, more often, and I know in the future I will be doing my own sets so I want to really understand ableton when that time comes. Ableton lets me preform in a much more unique way, even if its all the same to the listener. I enjoy performing with Ableton more than I did the 'DJ' route and I think that's a very important thing for the performer. In the end people just want to hear bass music, very few care as to how that happens and there's always going to be a hater saying I 'pre-warp all my tracks - therefore I have no skill' and so on...
(I'll stop that rant now)
With ableton now, I don't create pre-made sets in either arangement view or session. I have premade 'clip packs' which each consist of a song split into cue points and loops/samples. I drag them into session view and mix them with the other clip packs, its a very similar feel to traditional djing in the sense I can change the direction of the set at any moment (I am not stuck on a set path). Yes everything is pre-warped and all that fancy ableton stuff so I spend my time adding in drum riffs with a step sequencer controlled by my lemur during transitions instead of beatmatching.